Your selections:
Exploring cell-based dynamic music composition to create non-linear musical works
- Lynch, Samuel, English, Helen, Drummond, Jon, Scott, Nathan
Im/possible musical selves: experiences of female music students in a music degree
- English, Helen, Drummond, Jon, Kerrigan, Susan
On the Genesis of "Tradition/Modernity" Discourse in the Field of Iranian Music
- English, Helen, Khayati, Hassan
- Manning, Adam, Bessenyei, Amelia, English, Helen
Blackface at Work and Play: Amateur Minstrel Groups in the Hunter Valley, 1840-1880
Migrant Musicians and Their Impact on the Emerging Music Making of the Hunter Valley, 1840-1880
Spaces of solace and world-building: a praxis-based approach to Creative and Performing Arts (CAPA) outreach for equity and widening participation in higher education
- English, Helen, Lumb, Matt, Page, Jessica, Wilton, Jarrod
Singing and identity formation in Newcastle, 1860-1880: choirs, cultivation and connectedness
Music as a Resource for World-Building in Newcastle, NSW and its Townships, 1869–1879
Embedding creative and critical thinking in performance studies - the challenge
- Vella, Richard, English, Helen
Music-making in the colonial city: benefit concerts in Newcastle, NSW in the 1870s
Re-viewing history through sound - fact or fiction?
Musical entertainment in Newcastle, NSW, 1875-77
- English, Helen, Wye, Stephen
Margery’s times: Margery through the looking glass
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